Klaser

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opis:
http://www.boeliem.com/content/1986/340.html

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opis:
http://www.boeliem.com/content/2015/981.html

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Ta pocztówka z klawiaturą ma rozmiar fortepianu. Szkoda, że nie gra... 

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artykul:
http://www.boeliem.com/content/1991/440.html

[dana]

ja widze, ze lipniaczek daje znaczki odpowiednie do danego dnia historii...

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... i codziennika...

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Ta pocztówka z klawiaturą ma rozmiar fortepianu. Szkoda, że nie gra... 

...trzeba sobie wlaczyc Rubinsteina na Youtube...

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article:
http://www.boeliem.com/content/2007/772.html

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...klaser izraelskich smakolykow  - tak jak w Biblii - pokrywamy kazdy temat...

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Out! Second service. 

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Haim Gliksberg (1904-1970)

Haim Gliksberg, the Israeli painter, born in Pinsk, developed during the twenties and thirties a style of portrait and landscape painting steeped in the tradition of the French schools. Gliksberg, however, unlike the other painters of his epoch, never visited France.

He was born in Pinsk and.received a religious education in the "cheder" and Yeshiva of Odessa. He became acquainted with French art when living for a short while in Moscow in the year 1924. There he saw the major collections of the Russian kings and nobles who were influenced by French painting.

In 1925 he emigrated to Israel and held an exhibition of his landscapes and portraits of intellectuals at the "Lemel" school. It was at this exhibition that he met Bialik. The two became firm friends and Bialik joined the company of men of letters with whom Gliksberg associated and even painted.

Gliksberg was among the first Israeli artists whose works were built on the composition and thickness of the paint and the various possibilities offered by variations in brushstroke. He stands quite apart from the other painters of the twenties who did not concern themselves with abstract artistic values. In the final analysis. Israeli art developed in the direction pioneered by Gliksberg. His picture "A Street in Jerusalem" is typical of his landscapes of the twenties.

Gliksberg was, throughout his life, involved in the cultural life of Israel. He was one of the founders of the Association of Painters and Sculptors, taught painting, wrote an auto-biography and even wrote a book on his friend Bialik. Gliksberg held many exhibitions at Israeli museums, represented Israel at the 1958 Biennale and was thrice awarded the "Dizengoff Prize" for painting and sculpture.

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http://www.boeliem.com/content/2008/792.html